Integrating that first mc☥6 MKII into our existing infrastructure made connectivity much simpler - it was a no-brainer to continue with Lawo for our live sound consoles.” We had been using Merging Pyramix for multi-track capture and post-production mixing since 2007, and using Horus and Hapi AD/DA interfaces for all of our remote mic pre’s since 2012. “In fact, we chose Lawo in 2015 because of its RAVENNA audio capability. “Having already purchased an mc☥6 MKII with Nova73 Compact in 2015 for our post-production facility, we were already very familiar with Lawo,” says Mitchell. Core requirements for new consoles were simple: “First, the consoles needed to be native RAVENNA and, second, they needed to be made with the quality and detail that opera and symphonic music required.”

“Having such an important part of the system no longer serviceable was not something we could accept,” says Doug Mitchell, San Francisco Opera’s Master Audio/Video Engineer. It was a good testing ground, as the Opera’s technical staff looked to the future, planning replacement of a previous, non-networked console with a looming EOL date. San Francisco Opera acquired their first Lawo console, an mc☥6 MKII, in 2015, for post-production use. San Francisco Opera’s historic 3,006-seat War Memorial Opera House, opened in 1932 on Van Ness Avenue adjacent to City Hall, has just completed a technical upgrade to a complete Audio-over-IP infrastructure with two Lawo mc² audio production consoles and related I/O, unifying the theater’s audio production systems and bringing to completion a project with roots going back nearly 7 years.

San francisco opera fall 2021